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About

Hugo Paquete (b 1979) Intermedia and sound artist, which in his research uses concepts about space and microtonality as a visual and audible ecosystem according to spatial and psychological characteristics, (acoustic, architectonic, sculptural, perspective, communicative, evocative and environmental). The result is an audible interaction, open and indeterminate to the present time scales nano and macro. Territory of hyper-sensation and experimentation, observation and enclose the body in the listening act, turning it active and explored referential and resonator propulsive in a psycho-acoustic level. In his works he uses technical elements and practices from the field recording to computer generated sound synthesizing and audio spacialization. Denoting interest in stochastic probabilities between computer algorithmic and programming interaction.

paquetehugo Hugo Paquete, Porto, Portugal

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  • A Comment on Meta-eX's
    Play
    Voodoo Coder - Live in the Stubnitz, London at 2.04
    on September 02, 2013 18:54

    Old school sound with new methods of production.

  • A Comment on Meta-eX's
    Play
    Voodoo Coder - Live in the Stubnitz, London at 2.04
    on September 02, 2013 18:54

    Old school sound with new methods of production.

  • A Comment on paquetehugo's
    Play
    Radial Transference / Hugo Paquete / 2012 at 17.48
    on April 23, 2013 22:36

    Thanks for all the support and comments.

  • A Comment on luís antunes pena's
    Play
    Im Rauschen, cantabile (preview) at 0.33
    on May 05, 2012 19:01

    Great. Fantástico._)

  • A Comment on Magnus Bunnskog's
    Play
    Soll d Schlaf nicht allmählich abgeschafft werden? at 3.12
    on February 29, 2012 02:49

    Great work.

  • A Comment on Ogoshi's
    Play
    Shrinking Balls | Ogoshi_MX at 0.28
    on May 06, 2011 16:36

    Very Poetic my friend :)

  • A Comment on telectu's
    Play
    Uma Vaca Flatterzunge at 3.19
    on April 04, 2011 22:11

    Impressionante...Grande articulação dinâmica entre diferentes fontes sonoras.

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