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About
Berlin based and notoriously hip shaking Dj, Guitarist, Composer, Producer and Performer.
Not long after his first DJing engagement in 1997, Noema in 1999 also started organizing events himself. Initially favouring a very free kind of freestyle, his musical predilections permanently changed following his first nights spent at the Robert Johnson Club in Offenbach, which he would visit weekly in its early days. Apart from some of the world’s best house DJs, whom he was able to experience there, the greatest influence on Noema’s style was provided by the sets of resident DJ Ata with their classic house sound. Ever since then, Noema's primary focus has been on mixing House, Detroit Techno and Disco in a traditional American manner.
At his own events such as the “Expansion” gigs and “Menschen am Sonntag/People on a Sunday”, run in cooperation with DJ Rndm (Pigon - Dial Rec.), he has performed alongside live acts such as Jamie Lidell, Mocky and Kathy Diamond, as well as playing back to back with DJs including Àme, A Guy called Gerald, Kaos, Carsten Jost, Prosumer, Daniel Wang and Lexx. In addition, David has also been spinning in Berlin locations such as Kinzo (residency), Watergate, Deep, Rio, Tape (residency), Scala, Villa and in further clubs in Germany. In this respect, he is moreover a regular guest in various Zurich venues. Currently he plays as a resident about every 3 Weeks at the club wilde Renate (Berlin). Since Dec 2011, he also runs the monthly event series "The Magic Movement" in collaboration with Deemeetree at the infamous Soju-Bar (Berlin).
Noema's DJ sets are known for their sexy, deep and hypnotic flavour ranging from disco and pop to house and techno, combined in a highly energetic mix.
He creates the possibilitys, explores the oportunities and always looks for the big emotions on the dancefloor.
For him there are no boundaries between the different styles of Dance Music, it just got to be funky !
In addition to his djing Noema has worked as a studio guitarist for Daniel Wang, Apparat, Crowdpleaser and Dutch Rhythm Combo, as well as collaborating on a number of songs with Roberta Sweed (Mahagoni Music – Detroit) and co-composed 2 Songs for Basement Jaxx`s Album "Zephyr" (XL-Recordings)
He is furthermore a live band member of „Wahoo“, a project run by DJ Dixon (Innervisions) and Georg Levin, jointly with whom Noema recently also recorded Georgs new Solo Album (out on BBE Records).
Since 2010 he also composes, plays and acts in several theaterproductions like "Wenn es Nacht wird" by Falk Richter, directed by Christian Weise.
@Grandmom's Hands: Thanks, Mate !
Nice !
@setfan: Danke !
@NeZeal: Danke ! Das ist der Alf Tumble Re-Dress
@Ley-Low: Noir & Haze - Around (solomun rmx)
NICE ONE !!!
@bvoice: thank you ! I'm really looking forward to moscow !
@bvoice: Dennis Ferrer - red room
@bvoice: pional - we have been waiting for you
Yo ! Good Work ! Is there's a possibility to get the tune ?
i like you like !
@Daniela La Luz : Thank you !
@thecraveclub: Nicolas Jaar - Mi Mujer
Wildbirds & Peacedrums - There is no light
feat. tracks by Nick Drake, Thom York, Mulatu Astatke, Camille, Wildbirds & Peacedrums, Jamie Lidell, Stevie Wonder and many more
Nice Guitars ;-)
So you already met Mr. Dish ?
Dope Beat !
@crowdpleasernoema: Hi Gregor, ich wusste nicht, dass du auch deutsch sprichst...
Ich meinte, dass wenn der erste Break kommt die Harmonien der Gitarre im Rhythmus von halben Noten wechseln, was zusammen mit der syncopierten Melodie einen funkigen und bewegten Groove erzeugt. Wenn dann aber die Bassdrum wieder einsetzt und die Bridge kommt stoppt auf einmal der Flow, da die Harmonie erstmal 8 Takte, dann nochmal 8 Takte stehenbleibt und die Melodie rhythmisch viel gerader wird sowie auch die Notenwerte teilweise länger werden. Das erzeugt dann für mich eine gewisse Spannung, da quasi die Auflösung (der Groove von vorher, quasi Refrain) zurückgehalten wird. Die Bridge kann aber diese Spannung nicht bis zum Ende halten...
Ich würde mir nochmal genau die Struktur des "Grund"-Songs ansehen (in dem Fall gibts ja nur Refrain und Bridge) und dann drumherum die Beats arrangieren...ein konkreter Vorschlag wäre die Bridge zwisch. ca 3'05 und 3'35 auf 8 Takte kürzen, dann zu einem Vollständigen Refrain zurück (im Moment kommt ja direkt ne Art Variation vom Refr.) und dann später ganze Bridge (mit Steigerung richtung Refr.) gefolgt von Refr. und dann die Refr. Variation und weiter wie es jetzt ist...
Das ist aber echt nur meine persönliche Meinung, und wie das immer so ist: viele Wege führen nach Rom, ich wollte nur mal nen anderen Vorschlagen, da ich finde, dass genau dafür soundcloud da sein sollte. Mit Kommentaren wie "cooler Track" kommen wir doch alle nicht weiter...
Viele Grüße und frohes Schaffen,
*david
I like the Song iteself and vocals very much but i would change the harmonic rhythm a little: When in the first break the guitar drops in, the harmony changes in half notes which gives together with the syncopated melody a funky and forthgoing flow. But when the Bassdrum drops in again the flow changes and stops a little cause the melody has no syncops anymore and the guitar stays on one chord. So maybe one could turn that around: stay first on one chord with only 4th notes in the melody, than increasing the harmonic rhythm and go to the syncops in the melody. I think that would give a much more dramatic build up...blah blah...but that's only my opinion. But the Song really has potential anyway