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Classitronic For makers and fans of Electronic Classical music Similar to Tomita, Carlos, Orbit etc
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Rondo Scherzando Today's and Tomorrow's Composers and Classical Music Artists
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uranus
My Arrangement of Holst's Uranus, from The Planets
- Mike Leghorn
- Adrian Does Digital
- Mike Leghorn
Mike Leghorn at 0.00 on June 26, 2012 04:42
@Mike Leghorn: 6-25-2012: Made some minor changes. Added in missing harp note near end and reduced compression.
- Buckminster Darwin
- Buckminster Darwin
- SchizoBrainiac
SchizoBrainiac at 2.28 on May 18, 2012 17:01
This was my #1 favorite rocking horse tune when I was about 3-4 years old. What can I say — it rocks!
- Mike Leghorn
Mike Leghorn at 2.13 on April 29, 2012 03:50
@Buckminster Darwin: I have no idea! I emailed Soundcloud about it, wondering if it was a denial of service attack. They said no, it wasn't. Go figure.
- Buckminster Darwin
- Mike Leghorn
Mike Leghorn at 4.00 on April 01, 2012 01:51
@Mark Holt: Thanks Mark. I can't wait either! This project is starting to wear me out -- but your encouraging words will help keep me motivated.
- Mark Holt
Mark Holt at 4.00 on April 01, 2012 00:20
You're doing something truly amazing and special. Can't wait for the final instalments.
- Mike Leghorn
Mike Leghorn at 1.34 on March 30, 2012 03:22
@mysticgroove: Funny you should say that. I watched Clockwork Orange last night! The music is great. Thanks for the comment.
- mysticgroove
mysticgroove at 1.34 on March 30, 2012 02:14
HAY! Clockwork orange meets Holst's Aquarian younger brother! Interesting and boldly creative! Cheers. MG
- Mike Leghorn
- IGOR VITKEVICH
- Mike Leghorn
Mike Leghorn at 0.16 on March 14, 2012 16:22
@bluesquarestories: You're not the first person to say that about that part. Thanks for the comment!
- bluesquarestories
- Mike Leghorn
Mike Leghorn at 2.52 on March 08, 2012 21:20
@C.O.E.C. The DrumAddict: Thanks Ian. I'm glad you like the variety of sounds and the dynamics!
- Mike Leghorn
- Folderol
- Folderol
- paulshillito
- Mike Leghorn
Mike Leghorn at 0.29 on March 02, 2012 22:00
@Noctilucent Clouds: I use presets, and tweak them. It's hard to say what my focus is -- it just has to work somehow. I do a lot of experimenting. I pay a lot of attention to reverb -- each track has two or three sends to different reverb busses. I'm finding that leads work well in this kind of music, and I especially like Diva leads. I prefer ACE for growling brass sounds, and Zebra for percussion and complex organic sounds.
- Mike Leghorn
Mike Leghorn at 5.00 on March 02, 2012 21:54
@3ee: Yes, this is where I use it. It's an atmospheric pad with a bit of a windy, whispery sound.
- 3ee
3ee at 5.00 on February 29, 2012 21:31
Can't really identify the Ethereal Fjord pad... maybe it's more of a layer contour.. but here might be the place where you did use it, yes?
- 3ee
- 3ee
- C.O.E.C. The DrumAddict
C.O.E.C. The DrumAddict at 2.52 on February 29, 2012 05:38
You know ima lookin forward to the rest, good work, it seems like such a daunting task, so much variance and dynamics!
- Noctilucent Clouds
Noctilucent Clouds at 0.29 on February 28, 2012 12:24
Very Cinematic/visual track this one:) did you have any inspiration or focus on how you designed the sounds?
- Dan Ling
Dan Ling at 1.51 on February 28, 2012 04:11
@Mike Leghorn: A good example of the intellectual appeal of music, one of the advantages of obtaining musical knowledge - it broadens and deepens your appreciation.
- Mike Leghorn
Mike Leghorn at 1.51 on February 27, 2012 16:59
@Dan Ling: Yeah, it's kind of ominous. I like how Holst uses it at different speeds, sometimes at the same time. Vaughan Williams took a page out of Holst's book in the last mvt of his 4th symphony and 3rd mvt of his 6th symphony -- using the same theme played at different speeds. I think the technical term for it is isomorphism.
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