mc202_current.weapons 11 tracks, 46.01 mc202 on November 28, 2012 20:26
- 1. mc202_reigny.day 3.52 38 plays
- 2. mc202_sunday.fluffy.sunday 5.12 62 plays
- 3. mc202_dangerfield 2.47 38 plays
- 4. mc202_hide.and.freak 6.16 67 plays
- 5. mc202_everyday.destro 2.44 54 plays
- 6. mc202_electric.seance 3.17 48 plays
- 7. mc202_angel.highs 3.14 58 plays
- 8. mc202_akimbo.sessions 3.14 25 plays
- 9. mc202_wub.is.a.battlefield 5.12 64 plays
- 10. mc202_thrive 8.17 77 plays
- 11. mc202_bebe dunkle beats 1.51 107 plays
mc202_electric.suspects(2011-12) 3 tracks, 14.26 mc202 on November 26, 2010 08:54
- 1. mc202_kit.pusher 1.48 38 plays
- 2. mc202_no.bass.like.home 5.29 41 plays
- 3. mc202_house.this 7.07 204 plays
Closet Classics Dig 2 (95' - 99') 4 tracks, 15.50 mc202 on November 17, 2010 08:26
- 1. BJ142- (BIP 00001) 6.54 122 plays
- 2. mc202_cant.stop 3.16 73 plays
- 3. mc202_achievement.unlocked 3.38 39 plays
- 4. mc202_bloomington.trak 2.00 26 plays
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About
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__mc202___________________________
droned out, bass heavy, tech-house
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__While rapidly acquiring "outdated" gear in 95' one piece proved to be an overly demanding asshole mthrfkr to pull heat from, after months of cursing and rigorous training epic manual stomping sessions in the carpet laden fortress high in the upper floor of 1227 Maple there was finally a break. . .
_After endless attempts and theories, manually drawn notes and stacks of diagrams(see above mc202 diaries) teaching himself to speak the native tongue of the rare species of MicroComposer know as the Roland MC-202.
_Unleashing beastmode on this fiery dragon synth changed them both forever, the ritualistic summoning of the Roland MC-202 gifted the user with fluent reign over synthesizers, while the MC-202 device took a path of most destruction destroying the electronic aspirations of 2 known individuals.
__Forever changed by the experience and eternally grateful the user took on the device name as his own. . . MC202.
____ MC202's teenage years were spent skateboarding by day and sneaking in dark semi-industrial/80's clubs in Cincinnati early 90s then onto the beginnings of the MW underground scene as it unfolded. The beginning cultures of Indianapolis/Dayton/Columbus/Lexington/Louisville were easily and regularly accessed from centrally located Cincinnati, later expanding to the two most influential cities that also became home. . . Detroit and StLouis.
____As most of my friends began spinning and buying tables my best friend and I began buying gear at a frantic pace and working on tracks in 95', did a few full on live-shows, and a bunch of house parties, guided/taught a friend DJLocutus(WesHersche) studio/gear assault basics, later in 97' we created a label BiPolar, pressing tracks on the first 2 releases was a blast until studio time wrk , I needed a break and new perspective from production, I bought tables and w/the help of Wes and a few starting crates I then leaned from production on towards mixing records in 00', this opened whole new worlds of fun with music, after an intensive and exciting year of friend sessions I started playin@some MW house parties, then every few weeks@ClubX, StLouis, Lexington, somewhere in NC w/Wes even tho he hadn't heard me play yet(I played on 3tables and delivered).
___Went dormant from about 03' to 08' then slowly started acquiring pieces for studio funz.
____musical background
(Detroit + Saint Louis)
(80's music + pop music)
____human influences::
(Jajo/RobertHood/D.Wynn)
(DJ HELL/A.Beyer/JeffMills)
(BenSims/GaetanoParisio)
(Bob Sinclair/RichHawtin)
