Despite the fact that Matt started his sound experiments nearly 20 years ago, we remember discovering his talent for hybrid club music in early 2000’s when his Metaworld album appeared on the now defunct Combination imprint, combining his love of the Black Music tree with a futuristic vision, flirting with UK Garage & Detroit soundscapes. The man always loved bass with a big B & demonstrated it many times in his discography. This is how his work naturally found its way to respected labels such as Compost, Deeper Shades or Farside, displaying also the versatility of his sound.