Min.Glitch Aesthetics
kero.fm on October 29, 2011 03:27- remix of kero's 26 bday & bent by Richard Devine Artwork
remix of kero's 26 bday & bent by Richard Devine
kero.fm on October 30, 2008 19:54 - 1048 done remix by venetian snares Artwork
1048 done remix by venetian snares
kero.fm on October 30, 2008 19:31 freaky bitches remix
kero.fm on October 30, 2008 19:13final injektion
kero.fm on October 30, 2008 19:06transfer remix by kero
kero.fm on October 30, 2008 18:29xanoptikero
kero.fm on October 30, 2008 18:23
Need a gift for a gifted musician?
The SoundCloud Premium accounts also come as virtual gifts and it takes only two minutes to get one. Head over to our Gift page and check out the different Premium accounts starting at only €29 per year.
About
KERO's Upcoming Gigs
Saturday 30 April, 2011
the works, detroit, United States
Tuesday 17 May, 2011
windsor riverfront, windsor, Canada
Saturday 21 May, 2011
New center park, detroit, United States
Friday 27 May, 2011
HART PLAZA, DETROIT, United States
Powered by GigaTools
With over 30 releases on some of electronic music’s most celebrated and innovative labels such as Bpitch, Warp, Ghostly International and Shitkatapult and most recently Touchin' Bass as well as his own critically acclaimed Detroit Underground Records and Kerohand records which he does with legendary detroit producer Kelli Hand Kero (nee Sohail Azad) has established a reputation for his unrepentantly brash, yet cultivated compositions and unforgettable live performances, most recently, alongside notables such as Speedy J, Ken Ishii and Funkstorung. Furthermore, he has established himself as a leader within the growing pack of electronic music producers successfully infiltrating contemporary art circles world wide.
His innovative approach to music, graphic design and video production feeds on the detritus of popular electronic culture, creating a montage of fleeting musical and visual experiences that are paradoxically critical and enamored with contemporary culture.
Drawing on his experiences as a dual citizen of both Canada and the United States, Kero conducts visual and aural investigations that are concerned with ideas of the diametric and intermediary. Subsequently, the ephemeral nature of electronic culture, the “rave” experience and aesthetics offers a microcosm to explore similar elements in popular culture. The result is music that blurs genres from hip-hop to the most rarified of techno experiments, video art which stirs faint recollections of print and televised media, and a design language that has ingrained itself upon the most celebrated electro-cultural market in the world.
