Extract from the "Locus Niger" CD published on kaon

Places have a vibratory memory accessible to "strong acoustic enlargement". But if the places have a sound memory, why wouldn't the sounds themselves have one of them? How to solve this enigma?

Bruno Moreigne recorded the sound signatures (residual silences and noises) of remarkable sites, impregnated by their history (Gergovie, the place Tien Anmen, surroundings of the Chemin des Dames during the sun eclipse of August 11, 1999, Tchernobyl, Oradour, World Trade Center...). This exploration leaves to hidden research, occult or phantom sounds. What do they want to say to us?