Wide Beam Stun: The final phaser solution.

To acheive this big, way-stoned sound, this instrument uses multiple phasers running at three different speeds:

There is an instrument-level phaser and each voice has two different per-voice phasers.

The Kontakt Interface has a control for the phaser-speed which simultaneously changes the speed of the three different LFO's that control the swirly madness.

The low end can be turned into an analogue-bass, also with controls on the interface.

The mod-wheel fades from the full phaser to a crunched, band-pass filtered sound, and pitch-bend does double duty to pitch-bend bass-notes and low-pass filter the rest (listen to demo, which involves only a single track, for examples).

http://www.prokits.co.uk/productview.asp?productID=289