- Podcast - 30042013 - NOCCI (Techno) Artwork
Podcast - 30042013 - NOCCI (Techno)
fabrizio nocci on April 01, 2013 19:04 - Nocci Exp Live Corpo6 Berlin Artwork
Nocci Exp Live Corpo6 Berlin
fabrizio nocci on April 27, 2013 01:28
About
- official website, nocci
- nocci on facebook
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- nocci techno producer
released by:
// Mind Field Records
// aremun records
// picche records
// mahaba records
// criminal records
// kaze records
// iElektronix
// clonk records
// nuzone records
// concrete records
Booking & Production (Germany)
Fabrizio fabrizionocci@gmail.com
As DJ Producer nocci plays around his live sets. Over 100 tracks of exploratory techno and electronica, original pieces of pure techno style. He presents only its original productions, creating nightmarish atmosphere. His DJ sets are characteristically offensive and dynamic, hard and consistent, but also surprising and emotional.
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Experimental Music by :: NOCCI ::
His activity as a composer includes instrumental music, for orchestra and ensemble, experimental electronic music and electro-acoustic music. He collaborates actively with directors and video makers in the production of music for films and experimental videos. Furthermore, he writes music for theatre and dance shows. Since 2007 he collaborates, among others, with video artists such as Lillevan and Philipp Geist. He also has numerous collaborations with soloists, ensembles and orchestras: he has composed for Tetraktis percussions, the clarinetist Alessandro Carbonare, the Lviv Symphony Orchestra, ‘L’arsenale’ ensemble, the group ‘Octandre’ from Bologna and others.
His music has been performed at the Lucerne Festival of Zurich, at the ‘Teatro Lingotto’ of Turin, ‘Teatro la Pergola’ of Florence, at the Ravenna Festival, at the XXXV ‘Cantiere Musicale’ of Montepulciano, at the ‘Teatro Politeama’ of Trieste, at the ‘Goethe Institut’ of Rome and Palermo and in other theatres, auditoriums and festivals in Rome, Berlin and New York.
Style
Inspired by visionary composers such as Iannis Xenakis, Fabrizio Nocci presents innovative shows trying to overcome what he calls the “frame of a show”.
Crossing these borders means to alter all the constituent parameters of the performance: length of the concert, space among musicians and sound sources, contextualization of atypical settings for the presentation of shows, integration with other forms of art (video art and new media), improvisation elements, interaction with the audience, electronic re-elaborations.