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J-Path has the drive for music in his veins. Bred and fostered in several parts of the South Americas, this multi-lingual talent has come back to
where his ancestors hail from, South Korea, to create something different. In the past 7 years, J-Path (aka Jung Park) has put in the hard yards
and tapped into a musical conscience, now extending his skills to work with local Korean artists in varying styles.
Early into 2006, a tune on which he was collaborating with DJ Hydro (Fuze/Quarantine) made it into the hands of drum and bass leading lady DJ Flight
(on BBC 1Xtra, UK) and received airplay and recognition. More recently, his remix of Naibu’s “Back Engineering” was featured and highly praised by Goldie on the Metalheadz podcast.
Since then J-Path has been producing tracks for Korean pop artists and with several releases through: Bobby Kim, Masta Wu (YG), Mr. Tyfoon and Diva with
many other projects currently on play. He is currently the main producer for the former leader of the top-selling K-Pop group S.E.S , Bada.
As a DJ, J-Path has graced the decks alongside some of DnB’s heavies: Goldie, Grooverider, Andy C, Friction, LTJ Bukem, DJ SS, Makoto, Doc Scott, Storm, Fresh, Shimon, Marcus Intalex, Commix, Lynx, Roni Size, Klute, Blame, London Elektricity, Matrix, Futurebound, Dieselboy, Utah Jazz, Black Sun Empire, Danny Byrd, Stamina MC, MC Deeizm, MC LowQui, MC Rage, Dynamite MC and MC Messinian.Also: Club Karma sourced J-Path and invited him to join the UK’s Calibre and
MC DRS on their Japan trek through Osaka late 2005, on Calibre’sSecond Sun Tour.
In Seoul, aside from holding down a residency at Club Cargo (now Club Mansion) at both the Junglist Events and Konkrete Jungle Seoul, J Path is often
called upon to represent the genre and DJ at the larger festivals like Pentaport Rock Festival, The World DJ Festival, Jisan Rock Valley Festival, and Global Gathering Korea.
Currently, between spinning at parties in and around Seoul (also occasionally Busan) and organizing events, J Path is continuing to build an arsenal
of beats covering all styles of music and further extending his capabilities. His production ability and output of sophisticated pieces is persistently
causing a stir of respect amongst other enthusiasts in the circles in Seoul, and can’t be pinned down or pigeonholed for a moment.
J- Paths’ approach to production is to extract all the experience and influences he has gained in his life to date and translate it in a way that is
distinctly fresh and cohesive to a changing scene. Soon sees him preparing to release his first album, a remix project of a collection of Windy City
songs (a local Korean reggae band)