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Leave the land

Idga on May 27, 2013 13:45

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    In 1 Set

    More tracks by Idga

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    Rana Delay

    Horror pleni

    Sidi Bouzid to Cairo (Game Over) REWORK

    Krome

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    Horror Pleni is experimental techno in contemporary form of minimalism, between Actress and Four Tet, but it crumbles in the subsoil or better in underworld red as blood. The album carries the listener in psychedelic fogs and isolate atmospheres, while the incessant advance of 4/4 gets more granitic. The moving through the nine tracks is made by stable and inescapable steps, between clear and obsessive visions of the past and noising dreams for men from the future. Mind is free to fly, while body slides through seediest part of hell. The album begins with a palpitation “Wasted Summer”: something got wrong and rhythm chases changeable and enraged, with heavy pace. “Dreaming Baby Balcony” is light and shadow, between acid rays of sun and rasping wind, under an orange sky. “Live Twice” converts in sound two beings in opposition: sweetly gloomy melody and frenetic rhythm fuse in balanced contradiction. “Inside a Candy” is a scary trip who first digests you and lately spits you in a highly toxic mixture. In the very middle of the album, “Leave the Land” is a fugitive heart from its missing beat, in the Space. With the unique vocal of the album, “Rana Delay” it’s a pause from obsessive atmospheres, replaced with gothic taste for a while. “Horror Pleni” condenses all suggestions in stratified and chasing emotions. “Sidi Bouzid to Cairo” (Checkpoint 303 reworked) doesn’t take prisoners, shooting on sight in 4/4. “Krome” says goodbye to the first artistic album from Idga, getting to subsoil by procession of killer percussions. Mind is already free, just remains sinking body. [Maracuja&Plasman]

    Released by: 51beats
    Release/catalogue number: 51bts040
    Release date: May 24, 2013

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