Stats for this track
In 29 Sets
- 15 Tracks, 18.42.42
- 16 Tracks, 1.28.03
- 20 Tracks, 1.36.07
- 2 Tracks, 1.08.35
- 34 Tracks, 3.45.18
More tracks by gregwilson
808 State ‘Pacific State’ (greg wilson electric chair edit)
Never previously shared.
Madchester anthem from 1989, which, along with ‘WFL’ by the Happy Mondays, ‘Voodoo Ray’ by A Guy Called Gerald and ‘Fools Gold’ by the Stone Roses, encapsulates the time when the rainy city was at the epicentre of the dance universe.
Twenty years later I included it as the closing track on my Essential Mix (ESSENTIAL MIX (by greg wilson for bbc radio 1 2009) by gregwilson), and, as with the opening track, the Dimitri From Paris edit of ‘Down To Love Town’ by The Originals, it features Jesse Jackson’s invocation from the 1972 Wattstax festival (which had previously been used to such great effect by Andrew Weatherall in his remix of ‘Come Together’ by Primal Scream).
However, I originally put this together not for the Essential Mix, but to open my appearance at the Electric Chair Last Supper on December 29th 2007. A number of previous guests had been invited to play for half an hour each, as the decision had been made to close this Manchester institution whilst it was still at the height of its popularity. As things worked out, I was the final guest to deejay at this cherished club night - only the residents played after me. I wanted to pay my respects in a proper manner, evoking the spirit of Manchester past, back through the halcyon late 80’s days of The Haçienda to my own time there in ’83, and at Legend beforehand, via a handful of track selections that reflected the spirit of this great music city, for which the Electric Chair, soon to be no more, had written a further chapter. You can stream / download the mix here: ELECTRIC CHAIR LAST SUPPER 29.12.07 (greg wilson live selection) by gregwilson
The purpose of this edit was purely to extend the intro of the ‘Pacific 707’ version to suitably build into Jesse Jackson's poignant words before the beats kick in, whilst adding some subtle ambience to add to the overall atmospheric of this wonderful track, which always struck me as a ‘Stranger On The Shore’ for the Rave generation (the evocative 1961 single by clarinettist Acker Bilk, the first British recording to reach #1 in the USA).
Greg Wilson – July 2011