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In 5 Sets
Outernational bass music nomad Filastine ups the ante with £00T. Fractured post-dubstep beat innovations support delicate string arrangements. Overdriven bass synths battle pentatonic gong patterns. Listen closely and listen loud.
Looting from the coffers of hip-hop, moombahton, dubstep and cumbia, Filastine keeps the bass pressure pumping and drums up front. But any similarity to club music genres ends quickly. While a growing tropical bass movement hypes a pan-global dance party, Filastine blazes a different path. Intricate polyrhythms, muted balkan trumpets, ephem- eral soundscapes, and unique vocal contributions push this album off the known map into uncharted musical territory.
Introduction No Step will test your speakers for the album that follows. Gendjer2 and Colony Collapse are the fruit of a tight collaboration with Indonesian indy rapper Nova. She contributes lush 60’s R&B harmonies and megaphone-filtered rhymes. Filastine’s time in Asia also brings a featuring from Japan’s chief rap dadaist ECD. In Lost Report hear him shouting against nuclear contamination over a dirty bass hook and the stuttered clicks of a geiger counter. These onsite collaborations were recorded everywhere from ware- houses to rainforests, then painstakingly mixed over the course of 2011 in a rooftop studio in the muslim quarter of Barcelona, with breaks to participate in the Spanish uprisings of last year.
Throughout the album Filastine leverages rhythmic expertise that he’s gathered far and wide, from the tiny Moroccan village of Jajouka to the coke-fueled parades of Rio de Janeiro. Echoes of Filastine’s old marching band, the Infernal Noise Brigade, propel the drum corp juke of Circulate False Notes and the glitch-crunk of Skirmish. Even Filastine’s years as a taxi driver are audible in the field recordings of radio static, street noises and polyglot collages.
£00T comes with a grip of videos and graphics that riff on concepts from the Arab spring to ecological and financial collapse. With a CD design doubling as utopian money, the album launches alongside a currency for a near-future network of clandestine floating cities.
Release/catalogue number: PWI104
Release date: Apr 3, 2001
- mischablue
mischablue at 1.25 on April 16, 2013 05:30
the base line reminds me of one of sholmo's perfomances at music through unconventional means. really good job
- Rim Harrabi
- Zeineb Akrout
- Alexandra Sadkaoui
- Seelensack
- Alexandra Sadkaoui
Alexandra Sadkaoui at 1.57 on October 29, 2012 14:17
Thanks Filastine for this track! Amazing! The sample reminds me and connects me to my half Tunisian side! Good work!
- Phillip Kenney
- Mr. Rabeat [Unk]
- Filastine
Filastine at 0.02 on July 24, 2012 11:39
@Miss Velocity DJ: it's not a sample, recorded it with moroccan violinist Abdel Hak. I asked him to improv something for the begging in of the song in the style of music from the Rif, sometimes called taktouka djebelia. hope that helps
- Miss Velocity DJ
Miss Velocity DJ at 0.02 on July 23, 2012 21:30
Hey where did you get this sample? I have been looking for this album for 7 years which features this track and another one! It would mean so much to me to find out the album so message me if you can please! Wicked music by the way! :-)
- VictorYibril
- Boxeur The Coeur
- EQUOHM
- WoBWoBWoB
- Lestat Lestotis
- Professor Angel Sound
- psycache
psycache at 1.38 on April 12, 2012 02:11
Very grateful to hear you'll be playing at Esthetic Evolution this year. It's a beautiful setting…steep hills leading down to a snow-fed river. See you on the Summer Solstice! ~Cheers!
- khalil.m
khalil.m at 2.12 on April 05, 2012 08:49
Great Show in Santa Monica, loved the real time visuals too!
- Meyoume
- SkookumSoundSystem
SkookumSoundSystem at 0.30 on April 03, 2012 21:23
Your performance in Vancouver was a cool experience for us...These songs are bumping in the studio today. Volume UP.
20 Comments
19 timed comments and 1 regular comment