Remaining oddities, resultant additives 7 tracks, 50.32 emp on August 04, 2011 15:28
- 1. Flukkr 2.57 82 plays
- 2. Multi-tasking audio processor 9.18 43 plays
- 3. Submerger 5.09 31 plays
- 4. Scatter procedure 7.21 21 plays
- 5. Codetrust 5.24 24 plays
- 6. Switch controlled voltage 8.19 37 plays
- 7. Conformity.squared 12.00 24 plays
The Wickerworker 1 track, 10.33 emp on August 04, 2011 11:55
- 1. ww110803 10.33 142 plays 120.0 BPM
~flux=[\sh, \flx, nil, \dflx]; 4 tracks, 21.07 emp on August 04, 2011 21:40
There are no more Four Seasons 11 tracks, 1.03.05 emp on August 04, 2011 12:33
- 1. re:Biber #1 5.24 37 plays
- 2. re:Biber #2 5.23 15 plays
- 3. re:Biber #3 10.48 15 plays
- 4. re:Biber #4 11.45 13 plays
- 5. unravelled 9.40 19 plays
- 6. Autumn 3 3.26 36 plays
- 7. Winter 1 3.20 33 plays
- 8. Spring 2 2.59 26 plays
- 9. Winter 2 2.04 23 plays
- 10. Spring 3 4.25 15 plays
- 11. Winter 3 3.45 18 plays
About
Mattias Petersson is based in Stockholm, where he studied electro-acoustic composition at the Royal College of Music. Besides this formal training, the more anti-academic Fylkingen community has had a big infuence on his works. In this context he has collaborated and played with a lot of other artists, as well as doing solo pieces in multi channel surround and other sound experiments.
His music has been described as a mix between ambient electronica, electro-acoustic, industrial and crackling noise. Since the critically acclaimed debut album "Mimer" (Fylkingen Records, 2003), which was based upon sounds from a defunct iron mine, Petersson's industrial soundscape has been mixed with piano and orchestra samples, treated through dirty filters, analog distortion and digital degradation. Mattias Petersson also released some CD-R:s on his own label "Wickerwork Recordings", and contributes with a track on the MP3 compilation "The Post_piano2 Open Remix Project" on the renowned label 12k.
