Grand Openings, a collective that puts together amibiguous happenings and provocative events, asked me to shadow them and create short pieces based on field recordings for them every day during their residency at the Museum of Modern Art (MoMA) in New York.

Billed by Grand Openings and MoMA as my "Greatest Hits," I collaged, cued, and processed field recordings made at MoMA. Heeding some grumbling musicianly widsom bestowed by my father from years ago, "When I play 'em, they're all hits," I included some other hits big and small I've made over the years. In this continuous excerpt, there is no post-performance processing or editing.

This is a good example of what I sound like live these days.