I create my own performance software using max/msp - mainly using layered looping, extreme time stretching and granulation. I perform on my own using bowed/struck metal and occasionally flugel horn as my main sound sources. I also perform using other musicians as sound sources. My Electroacoustic Poesetics project combines the poetry of Heather Taylor with live time stretching. I've also started working with Ableton Live to make "redux" versions of these pieces to add variety to live performances.
I'm interested in slowly evolving soundscapes, generally with a more tonal than noise feel to them, and the combination of slow sounds with live instrument performance.