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There are actually two patches involved in this music: a probability algorithm, patched in my MAX Software, creates MIDI … which gets changed into control voltages and triggers … which I route into a patch on my synthesizer to create the "bass" and the "melody" lines and the very low wind effect in the background. I left it running and improvised along with it on a Pad controlling my Cork City Samples.
Over 20 minutes of it recorded live on 11 tracks: 3 x Modular Synthesizer, 4 x Percussion samples (bins, gates and doors), and 4 x warped drones, which I derived from my percussion samples by stretching them extremely … and mixed down to stereo. This is a continuous excerpt.