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From self-taugh to de-taugh, Naal Stayn stands since 1997.
The approach is based on altered playing, de-structured composing, multicraft mixing and real-time-wave recording.
Here, the sound is an hybrid of Concrete, Progressive, Post, Experimental, Ambient, Crafty Electronics, Leftfield, Free, Err, Claustrophonies, Other Genres, etc.
I perform on a variety of instruments and look for the moment when fragile melodies and mental construction meet each other in a song