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Transnational Circulation

9 tracks, 51.04 Budha Building on May 27, 2011 21:57

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  • More sets by Budha Building (5)

    BUDHA BUILDING 
    Budha Building is Hans Timmermans way of developing music that, in the past 25 years,
    has grown to be so much more than just live performing. Although performing is a passion,
    the ambient ethno and mainly electronic sound that Budha Building stands for grew in
    depth making it an autonomic feature in films, dance performances, presentations, TV and
    documentaries, cartoons and openings. 

    Hans Timmermans creates down tempo, ambient and ethno music. He started live performing
    as Budha Building at 18 years. From that time on he played national and international stages
    giving Budha Building its current ambient ethno status. 

    His cinematic music style has a very broad range, proven by the many different projects his
    music is used for. Focus is to enhance the sphere of the project. The main characteristics of
    Budha Building are that the music is purely instrumental, easy to listen to and relaxing, but
    when used live is aimed to move the crowd. 

    Live performances are unique in that the whole set is always sequenced and arranged live.
    By performing together with guest musicians, Budha Building explores new boundaries within
    his own music. This approach creates an energy that results in a creative interaction between
    musicians and audience every time. 

    Internationally Hans Timmermans has taken another approach to get his music the attention it
    deserves. Through a publishing deal with the New York Publisher PUMP, all his compositions
    of his solo performance of Budha Building where used by over 100 American Television
    programmes. For example, Budha Building was used during MTV The Cribs, several VH1
    music documentaries, America's Next Top Model, Making of the Band and the year-overview
    of Scifi Channel.

    Released by: Double B Records
    Release/catalogue number: NLM771100001
    Release date: Jun 4, 2011

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