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My work explores the relationship between the universality of myth and life as performance.
With influences as diverse as Kierkegaard and Francis Bacon, new synergies are distilled from both orderly and random layers.
Ever since I was a child I have been fascinated by the theoretical limits of the zeitgeist. What starts out as vision soon becomes finessed into a manifesto of distress, leaving only a sense of undefined and the prospect of a new order.
As shifting forms become distorted through diligent and personal practice, the viewer is left with an insight into the inaccuracies of our era.
I've worked as a drummer in Libido, as a keyboard player in Almas de Goma and Marquee Moon, and I've collaborated on studio and live with bands like Mento, La Vieja Morla, Aloperro or María Villalón.
The thing sounds because of::
MOTU MIDI Express 128, Berhinger Ultrapatch Pro PX-2000, Genelec 8020 A, Behringer BCF2000, Yamaha - MG124 CX, Bluebird Blue
Workstation Yamaha Motif 6 Classic, synths Yamaha CS50, Moog Minimoog Voyager Performer Edition (with VX-351), Oberheim OB-Xa, DSI Mopho, Roland Juno-106, Casio VZ-10M, Korg Monotron, Monotron Delay and Monotribe, drummachine Korg Electribe ER-1, controlled by Yamaha KX-25
Hohner Student 32 and acoustic guitar Aria.