Film Music 34 tracks, 53.32 Brian Crosby on May 28, 2012 11:03
- Download track Go to track End Of Bedroom (from 'The Door Ajar') - atmospheric, external, lunar, bleak1. End Of Bedroom (from 'The Door Ajar') - atmospheric, external, lunar, bleak 0.19 56 plays
- 2. The Woodchopper (from 'January') - mysterious, brooding, menacing 1.19 45 plays
- 3. Moon - simple piano, lunar, suspended 3.24 31 plays
- 4. Sedated (from 'January') - confronting fear, suspenseful, hanging 0.40 44 plays
- 5. The Pranksters 1 - the lads are up to no good 1.02 26 plays
- 6. Rocks (from The Door Ajar) - atmospheric, disturbing, lunar 2.41 51 plays
- 7. Flashback Two (from 'January') - horror, disturbing childhood memory 0.48 29 plays
- 8. The Carpenter - piano, violin, touchy feely 1.25 27 plays
- Download track Go to track Burn The House (from 'January') - snooping around, creepy, building to climax9. Burn The House (from 'January') - snooping around, creepy, building to climax 3.22 25 plays
- 10. Machu Pichu - solo ronroco, introspective, a little dark 1.44 87 plays
- Download track Go to track Dark Sky (from 'The Door Ajar') - heavy, sinister, terrifying, time lapse11. Dark Sky (from 'The Door Ajar') - heavy, sinister, terrifying, time lapse 0.39 27 plays
- 12. Kill Lawrence (from 'January') - pre-emptive, sinister 0.31 22 plays
- 13. Opening (from The Swimmer) - atmospheric, lunar, bionic end 1.44 66 plays
- 14. Tokyo - night life, electronic, menacing 2.47 30 plays
- 15. Mr Sellars Full Mix - percussive at start, jamband end 1.50 27 plays
- Download track Go to track Marylin is Hurting (from 'January') - atmospheric, introspective, night time, distraught16. Marylin is Hurting (from 'January') - atmospheric, introspective, night time, distraught 0.43 19 plays
- 17. Moon Part Two - piano, atmospheric, suspended, lunar 1.51 23 plays
- 18. After Dinner (from 'January') - slow, intrigue, sad end 1.07 27 plays
- 19. Arps - dreamy, atmospheric, space age 1.18 32 plays
- 20. Night Whisperer - tender, nocturnal, piano with strings at end 2.36 39 plays
- Download track Go to track Thomas Enters Basement (from 'January') - mysterious, there could be trouble ahead21. Thomas Enters Basement (from 'January') - mysterious, there could be trouble ahead 0.25 24 plays
- 22. Mother (from 'January') - intimate, piano and fiddles 0.54 21 plays
- 23. The Orchard - light, acoustic, countryside 1.44 30 plays
- 24. Skopje (from 'Some Other Stories') - sad, mournful, eastern sounding 1.57 34 plays
- 25. Mr Sellars Percussion Mix 1.16 19 plays
- Download track Go to track Stop (from 'Stop') - intropsective start, sad piano piano with open ending26. Stop (from 'Stop') - intropsective start, sad piano piano with open ending 1.54 35 plays
- 27. The Tightrope - solo piano, delicate, tender, beauty 2.06 39 plays
- 28. Attack (from 'The Night Nurse') - building suspense to crescendo 0.57 28 plays
- 29. Savages - drugged, eastern, tribal 3.11 33 plays
- Download track Go to track The Night Nurse (from 'The Night Nurse') - concussed, coming into focus at end30. The Night Nurse (from 'The Night Nurse') - concussed, coming into focus at end 1.47 53 plays
- 31. The Lonely Man - isolated, introspective, sad 0.46 40 plays
- 32. Dusk at the Swamp (from 'Fall') - stillness, night time, introspective 1.25 36 plays
- 33. Sand Journey (from 'This Monkey' - the savannah, ethnic 1.04 30 plays
- 34. Floating (from The Swimmer) - atmospheric, comforting, landscape 1.57 34 plays
January Soundtrack 24 tracks, 38.27 Brian Crosby on April 05, 2012 10:29
- 1. Opening (from 'January') 4.58 61 plays
- 2. Flashback One (from 'January') - horror, disturbing childhood memory 0.47 34 plays
- 3. After Dinner (from 'January') 1.07 45 plays
- Download track Go to track Thomas Enters Basement (from 'January') - mysterious, there could be trouble ahead4. Thomas Enters Basement (from 'January') - mysterious, there could be trouble ahead 0.25 24 plays
- 5. The Garden (from 'January') 1.39 20 plays
- 6. House 2 (from 'January') 2.01 24 plays
- 7. Seasonal Montage (from 'January') 0.48 22 plays
- 8. Mother (from 'January') 2.42 21 plays
- 9. Escape Part 2 (from 'January') - dark, escaping danger in slow motion 0.35 19 plays
- 10. Break In (from 'January') 0.58 22 plays
- 11. That's Where The Mice Live (from 'January') - unsettling, what lies beneath?, tense 0.48 13 plays
- 12. Sedated (from 'January') 2.26 16 plays
- 13. Bangers and Mash (from 'January') - creepy, realisation of fate at end 1.16 20 plays
- 14. Marylin is Hurting (from 'January') 0.46 21 plays
- 15. Flashback Two (from 'January') - horror, disturbing childhood memory 0.48 29 plays
- 16. No Point In Hiding (from 'January') 1.25 17 plays
- 17. Spilt Milk (from 'January') 2.03 14 plays
- 18. Paint What Your Feel (from 'January') - brooding, distorted 2.48 34 plays
- 19. Flashback (from 'January') 0.59 14 plays
- 20. The Crib (from 'January') - brooding, atmospheric, dark 1.51 11 plays
- Download track Go to track Burn The House (from 'January') - snooping around, creepy, building to climax21. Burn The House (from 'January') - snooping around, creepy, building to climax 3.22 25 plays
- 22. Kill Katherine (from 'January') 2.08 14 plays
- 23. Kill Lawrence (from 'January') 0.43 12 plays
- 24. Kill Albert (from 'January') - dark, intense, build in slow motion 0.50 17 plays
The Swimmer Soundtrack 4 tracks, 6.50 Brian Crosby on October 19, 2011 16:09
- 1. Opening (from The Swimmer) - atmospheric, lunar, bionic end 1.44 66 plays
- 2. Floating (from The Swimmer) - atmospheric, comforting, landscape 1.57 34 plays
- 3. Closing (from The Swimmer) 1.44 28 plays
- 4. Underwater (from The Swimmer) 1.23 34 plays
Some Other Stories Soundtrack 12 tracks, 19.34 Brian Crosby on September 04, 2011 07:37
- 1. Skopje (from Some Other Stories) 1.57 86 plays
- 2. Birth (from Some Other Stories) 0.32 25 plays
- 3. Heavy Head (from Some Other Stories) 1.35 42 plays
- 4. Switch (from Some Other Stories) 2.47 31 plays
- 5. Pilgrimage Theme 1 (from Some Other Stories) 0.38 30 plays
- 6. Some Other Stories (from Some Other Stories) - childlike, slow, warm, simple 4.26 27 plays
- 7. Falling (from Some Other Stories) - acoustic guitar, warm, intimate, positive 1.12 40 plays
- 8. Murderer (from Some Other Stories) 0.26 20 plays
- 9. Longing (from Some Other Stories) 1.09 26 plays
- 10. Pilgrimage theme 3 (from Some Other Stories) 2.05 25 plays
- 11. Music For Babies (from Some Other Stories) 1.09 72 plays
- 12. Zgodba (from Some Other Stories) 1.33 31 plays
As If I Am Not There Soundtrack 8 tracks, 13.06 Brian Crosby on September 04, 2011 07:31
- 1. As If I Am Not There (from As If I Am Not There) 1.50 224 plays
- 2. The Camp 1 (from As If I Am Not There) 0.36 121 plays
- 3. Savages (from As If I Am Not There) 3.53 126 plays
- 4. The Camp 2 (from As If I Am Not There) 0.18 84 plays
- 5. No Way Forward (from As If I Am Not There) 1.22 125 plays
- 6. The Camp 3 (from As If I Am Not There) 1.40 79 plays
- 7. New Life (from As If I Am Not There) - atmospheric, journey forward 2.06 127 plays
- 8. The Camp 4 (from As If I Am Not There) - dark and atmospheric, unsettling drones 1.17 63 plays
About
Brian Crosby is an Irish composer and musician, working and living in Berlin, Germany.
He spent the early part of his career as a founding member of well-known Irish bands Juniper (with Damian Rice) and BellX1. In recent years Brian has become recognised for his minimalist and starkly evocative film scores.
His close creative relationship with video artist and filmmaker, the late Paddy Jolley, as well as his score for the 2012 thriller January and his haunting compositions for Juanita Wilson’s ‘astounding feature debut’ (Sunday Times) As If I Am Not There, are all good examples of his work.
Beyond soundtrack work, Brian collaborates with various artists and bands on a range of other projects. He was the driving force behind The Cake Sale, curating and producing this double-platinum album featuring Glen Hansard, Gary Lightbody, Nina Persson, Lisa Hannigan, Damian Rice, The Divine Comedy, Gemma Hayes and The Thrills, which went on to raise over a quarter of a million euro for the charity Oxfam. The hit song Some Surprise was featured on US TV shows Grey’s Anatomy and The Protector.
Brian is also on the board of directors of IMRO – the Irish Music Rights Organisation.
