Original
The Tony Danza Tapdance Extravaganza - You Won't
BMARECORDS on August 29, 2012 23:43
Metal
This track is not downloadable
Stats for this track
| This Week | Total | |
|---|---|---|
| Plays | 29 | 50238 |
| Comments | – | 127 |
| Favoritings | 1 | 400 |
Uploaded by
In 1 Set
metal
80 Tracks, 5.06.43
More tracks by BMARECORDS
ttdte-you-wont
- BookerWebb
- Prarthana Venunathan
- Feannoroth
- GuitarGod7
- journalsuk
- Moody.
- Andy Raddatz
- drum_addiction
- drum_addiction
- drum_addiction
- onepercentband
- Rohan Büchner
- benreaves
benreaves at 1.46 on September 20, 2012 05:54
@jabbathematt: Also, ridiculous limiting and compression do not assist in making the sound heavier. Light compression and limiting do. Get it right. Don't tell an audio engineer he doesn't know how to do his job.
- benreaves
benreaves at 1.46 on September 20, 2012 05:53
@jabbathematt: That doesn't matter at all. EVERYTHING is getting lost. Which means NOTHING makes much sense in the mix with this much compression. Bob Katz merely proposed the reversal of the loudness wars, I wasn't suggesting he should master it. He does classical mastering most often, and on occasion pop mastering. The idea I'm presenting here is that we turn the limiters down, stop compressing so much, so we can finally hear how insane the drum work is again. I literally couldn't hear the kick at times. Using nice headphones, mind you. I don't care how insane this is supposed to sound; it doesn't SOUND like it's musically insane as much as it does sonically insane. Maybe if I could hear the instruments as they were recorded instead of this heavily compressed bullcrap I would listen to it more. Honestly I really enjoy this genre, but the stupid amount of compression on all fronts is really annoying me. When I can hear the kick and snare cutting through like it does on stage, then I'll be satisfied. It's really not that hard to understand
- benreaves
benreaves at 1.46 on September 16, 2012 19:06
@Jonatan Hall: What if it is? It still sounds like crap. Don't get me wrong, the song's great. The mix is pretty good, too. But the fact that it's limited so freakin' hard ruins the sound. The amount of compression on this is beyond ridiculous.
- Jonatan Hall
- Riley Brewer
- benreaves
benreaves at 1.46 on September 15, 2012 04:03
@Jonatan Hall: Because I'm tired of hearing music that's driven to 0 dB the whole way through.
- atmryder
- Jonatan Hall
- benreaves
benreaves at 1.46 on September 14, 2012 21:37
There is absolutely no room left in this mastering. Sounds like noise, there's no dynamics. The drums are getting really slammed, the kick and snare aren't coming through. If you haven't heard of Bob Katz, I would definitely look him up.
- J.d. Freeman
- KTomkoAI
- Taylor Handy
Taylor Handy at 2.54 on September 07, 2012 20:41
I LOVE HOW HE JUST FUCKIN THROWS THAT RIFF OUT THERE. its like FUCK IT. hahahaha. and it works. what a boss.
- Taylor Handy
- Taylor Handy
Taylor Handy on September 07, 2012 20:37
PREORDERED THAT NEW JAM WITH THE VINYL. I BET ITS SAUCY AS FUCK. SUPPORT GLASS CLOUD!! big black and brutal.
- jerryfnwhitaker
jerryfnwhitaker at 1.52 on September 05, 2012 12:24
All these comments eat major shit! Mine pwns!!!!!!! Fuckin nasty
- SUPERFLUOUS
- Raptorbaby
- Andy Raddatz
127 Comments
108 timed comments and 19 regular comments