It has been proposed that creativity comes about as result of a system in operation rather than, as a Romantic ethos would have it, being the result of the action of single individuals alone. Furthermore, Pierre Bourdieu has argued that the field in which cultural production occurs can be described as an arena of social contestation. Mihaly Csikszentmihalyi suggests, as well, that conflict within a field may also have an effect on that creative field’s output. If these statements are true then questions of power relationships become important in any analysis of creativity. In particular, analyzing Csikszentmihalyi’s systems approach to creativity and Bourdieu’s understanding of cultural production and what these conceptions have to say about the distribution of creative power in the studio may reveal important truths about creativity itself. It may also shed some light on the nature of the collaboration that occurs within creative groups; in this case those that consist of musicians, producers, record companies and technicians.