give us a nod on www.facebook.com/theopiates
OH MY GOD OH MY GOD AND ALL THAT. it's all official. we are sharing a minimix of our new ep. release is 18th sept.
tracklist: rainy days and saturdays, jalousies and jealousies (kim ann foxman remix), anatomy of a plastic girl (chris & cosey remix), silent comes the nighttime (again) (xhc stepford step off mix)

and here is all the info:
The Opiates

“Rainy Days and Remixes EP”

Digital Release Date: 19 September 2011

Label: Disco Activisto Records

Images: Wolfgang Tillmans

Web: www.billieraymartin.com

Style: dark electronic pop

The Opiates is the latest project from the "queen of electronic soul" Billie Ray Martin, together with Norwegian musician Robert Solheim.

The long awaited taster of remixes and first single from the forthcoming album ‘Hollywood Under the Knife’. For The Opiates, these remixes by such greats as Hercules and Love Affair’s Kim Ann Foxman, as well as all-time heroes Chris and Cosey of Throbbing Gristle, are a dream come true. The results are magnetic. The XHK Mix with its hard Dubstep flavour completes the picture and gives the song a completely new voice and vibe.

With the single ‘Rainy Days and Saturdays’, The Opiates live up to their ‘Carpenters of Electro’ title and hope to conquer airwaves and underground alike. It’s a song about the transvestite Candy Darling who, although leading the wild life and preparing for a sex change, dreams of married life and a house in the suburbs.

The album ‘Hollywood Under the Knife’ will be released on Disco Activisto Records both digitally and as a CD on 17 October, featuring nine unreleased images by Turner Prize winning artist Wolfgang Tillmans, who opened his entire archive, granting The Opiates free choice of images.

Tracklist:
Rainy Days and Saturdays (Radio Edit)
Jalousies and Jealousies (Kim Ann Foxman Remix)
Anatomy of a Plastic Girl (Chris & Cosey Remix)
Silent Comes the Nighttime (XHK Stepford Step Off Mix)

Quote:
“The Carpenters of electro… dark, electronic pop: scalpel-sharp lyrical observations juxtaposed with shimmering production to magnetic effect.”
Ben Murphy, DJ Magazine (U.K. / worldwide)

Note to Editors:
The Opiates started with the intention of being an ambient project. Soon bored, they abandoned any genre restrictions in favour of music that inspired them in cerebral as well as booty shaking ways.
Dubbed by the press as ‘The Carpenters of Electro’, their album ‘Hollywood Under The Knife’ explores paths pioneered by the Chicago house and Detroit techno heroes, (not least Electribe 101), with the aim of taking things forward a step or two.
Although Kraftwerk and Yazoo have been mentioned as influences, The Opiates’ unique brand of electronic music is not readily categorised. Theirs is a pursuit without compromise; a rare match of songwriting and cutting-edge beats and bleeps.
The Opiates will boldly go where the best electronic duo crossover albums have gone before, and will appeal to charts and underground alike.
An EP entitled ‘Anatomy of a Plastic Girl’ was released in March 2008, accompanied by a much celebrated gig at London’s Rough Trade store, resulting in rave press reviews for both the gig and the EP. In Germany, the song ‘Anatomy of a Plastic Girl’ made it into the Top 20 listeners choice charts when added to the playlist at Radio One.
Plans are afoot to stage a performance/play entitled ‘Anatomy of a Plastic Girl’, a multimedia piece using Wolfgang’s images as well as multimedia elements, in the near future.

Billie Ray Martin

Dubbed the "queen of electronic soul", Billie Ray Martin first came to prominence leading the acclaimed deep house act Electribe 101, her unique voice hitting both the house scene and the charts with a strong infusion of soul. Electribe 101 scored a brace of hits including the classic "Talking With Myself" before Billie departed to continue exploring fusions of electronic music, pop and soul. After releasing the thoroughly scary "Persuasion" with Spooky and the monumentally beautiful "Four Ambient Tales" with The Grid, Billie found herself with a worldwide number 1 in "Your Loving Arms"; now considered one of the all-time classics of dance music. Three more hits and the album "Deadline for My Memories" followed.
Since then Billie has worked with Ann Peebles, Carla Thomas and members of Aretha Franklin's band on her album "18 Carat Garbage", and has continued to release cutting edge electronic productions, including hit collaborations with DJ Hell and Slam and solo releases such as 2008's "Undisco Me" which hit the top spots in the UK and US dance charts.
Billie's epic "Crackdown Project" released in 2010, featuring her takes on the Cabaret Voltaire’s classic album "The Crackdown", reinforced her unique position as an artist who appeals to the both ueber-cool mags like Flux Magazine, Wound and The Wire as well as the pop mainstream achieving 'Song of the Day' status at Popjustice. 20,000 downloads in a matter of days, plus overwhelming press and DJ feedback confirmed her vision.
Already in 2011, Billie has released the solo single 'Sweet Suburban Disco' with mixes by Vince Clarke of Yazoo fame amongst other dancefloor greats, with the world’s key DJs from Black Strobe to John Digweed giving it full support. Released on Billie’s Disco Activisto Records.
Also currently out and in the Music Week Cool Cuts Charts at Number 14, is the ‘Sold Life’ E.P. by Billie Ray Martin and Hard Ton. Back to Billie’s old school house roots, it’s creating a serious buzz, charted by everyone from Laurent Garnier to Kim Ann Foxman from Hercules and Love Affair. Billie is currently working on her next solo album and DJs around the world with growing success.

Robert Solheim

Born on Averøy, a small island on the west coast of Norway, Robert Solheim grew up between the sea, the mountains and music. At a young age, he started to play the organ, progressing through drums, keyboards and singing in various bands, until he discovered a synthesizer named Jupiter-8 and started to compose his own work. Under the name CURRENT he has released several downtempo and ambient-techno albums on Origo Sound, the famous Norwegian label home to artists Biosphere and Erik Wøllo. In 2005 he started releasing material on his own label CURRENTMUSIK. All his releases have been described as extraordinary creative works by the critics. In 2006, his album ‘underCURRENTs’ was nominated as best album and in 2003, the track ‘Ghost Trip’ from the album ‘Communion’ was voted by the public number 7 of the 100 best electronic tracks of all-time placing Robert alongside such names as Kraftwerk, David Sylvian and Underworld to name a few.
Lately his creativity has turned more towards electronic music for clubs and dance-floors which has lead to several EPs with deep tech house and techno, supported by the likes of Lukas Greenberg, Rob Maynard, Danny Graham, Paco Osuna, Richie Hawtin, Luca Doobie, the list goes on..
Robert is also part of a duo called AQUAVIT, a musical project that works on finding the harmonies between electronic and acoustic sounds. Their first and much anticipated work together ‘Telapatia’ was released in 2008 applauded by both press and public alike. Critics described it as “electronic music for the well-travelled”. AQUAVIT served as the foundation for the Norwegian label AQUAVIT RECORDS, established to release quality electronic music without restrictions.