Excerpts of a very early piece - perpetually unfinished, but a fave nevertheless. The great Katherine Hughes, violin. Still using rack synths back then. String "section" sounds are processed from Katherine's recording. Most other sounds are Proteus-1. The idea was to divide the pitch set into its two hexachords, and give the soloist one of them and the "computer" the other one. They'd have their own pitch domains and fight over them. Toward the end, the soloist wins, as she gets to play all 12 pitches.