Whether the true story behind this collaboration is romantic or not lies in the eye of the beholder. This is not the time or place to make up stories that turn into legends, therefore, we will just stick to the truth. The truth is quite plausible and told quickly. Torsun liked the band Herrenmagazin and wanted to make a track with lead singer Deniz. Deniz was intrigued, but just because they shared the idea of working together, didn't mean it was easy. The biggest challenge was that they didn´t have a song to record. Luckily, Torsun had something that could be called a vision, and sent Deniz a 40 second loop that would serve as a foundation. Deniz created a framework around the loop and working together became more of a reality. But even though both had demonstrated their willingness, the biggest task was yet ahead: a face to face meeting.

They had met before on random occasions, but aside from light pleasantries, had never really spoken to each other. To establish a closer relationship, Deniz took the train to visit Torsun in Berlin. Because good will always prevail, it didn't take them long to become friends, and they started to do what they were meant for: making music.

The result is not the Egotronic sound you are used to. It is more technoish and less effects oriented. They both wanted to create a song that fit best during the first hours of the day, something that regular Audiolith fans never hear because they are already in bed. It is a song for the time of the night when the crowd is getting thinner, water replaces alcohol, but you are still unable to go home. It is a pop song for people who listen to techno. A song that doesn't desperately want to get your attention or stand in the spotlight. Its only intention is to hold on to the moment and stand imperfect and humble. It is written for a time when nothing matters anymore. Because when nothing matters, everything does.