@imazi643: thank you - you're welcome :)

@r-1772: that one is original :) and welcome back

very delicate rhodes sound :)

nice break !

a bit more delay on the piano would get it float even more :)

...... Chris Tucker brought me here

I enjoyed everything except that shitty crash on the right side ;)

you got a nice atmosphere going on until here but that acoustic drum set totally destroys the mood and setting for the track | later dub effects are nice but again not working together with the drum sounds (especially the snare) it maybe work if you really go for the extra zepplin kashmir smack sound ;)

O_o' smack that bamboo

oh those lovely arps :)

@German Fafian: Thanks :)

@Nicola Alexandra Hajdu: I used the Cubase internal synth Prologue - and started from the preset 'Tomorrow' - if you don't have that it's doable in other synths - three saw waveforms slightly detuned | the light and airy sound comes from a delay afterwards with a modulated bandpass filter + reverb

after one month of listening I absolutely love that bass part. How did you do the "fade in" gated stuff ?

@chimpazilla: yeah, but in other rooms their intonation isn't spot on (I don't tell them I'm vegetarian -&rt; adds up the heat for the performance)

main chicken is unfortunately buried too deep in the mix because of my kitchen reverb (transient shaping didn't do it)

@ectogemia: hmm, here the "erase past is audible" at 2:43 it's just sinking into the mix

@ectogemia: I still find the pumping in the late reverb a bit irritating

the right 8 bit element is too loud and just pops out

vocals could be louder overall

my favorite part of this song :)

omg Johnny Bravo ?

@bbriggsmusic: it's still cool as fuck though ;)

jupp - thats just tracker awesomeness; now if only the drums would be a bit more consistent in terms of less snappy and more punchy

:D yeah gated choirs