KumeRecordings

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-MNMLKTCHN
-Skudge
-Pär Grindvik
-Jeff Keenan
-Ben Klock
-Android Cartel

Also Am very glad to to announce one of the Newest Members Of
Kume Recordings

Dsum

LOSO

Monya

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MNMLKTCHN
Born in Pereira (Colombia), Andres Feles has been active in the Underground Scene Since 2001. with over a decade of DJ experience. Starting with Acid House, he now plays somewhere between Techno, Minimal, Deep House. His love of what he does shines through his selection, and his knowledge of music runs deep.
Andres Feles unquestionably falls into the latter category. As a teen Andres Feles quickly earned a reputation for forward thinking DJ sets that were clinical, sophisticated and extremely Trippy. This combination resulted With a reputation for high energy sets that were versatile and tasteful, In 2007, Andres Feles got a residency In his home town In Pereira. In 2008 he made the decision to head east and set up camp in New York City, determined to bring a slice ofHis Berlin Techno Underground Taste to the Big Apple.
Andres Feles has been quietly producing since 2008. Influenced heavily by the Detroit Techno and Berlin sounds, Underground rhythms the main objective with the project is to synthesize the two similar sonic worlds into a tapestry that is uniquely his own. After several remixes and self released CD releases, Andres Feles made his live performance debut in 2009.
In 2011 he collaborated with Speedy J. 2011 Andres Feles debut on New York CIty and has followed up with subsequent releases that have drawn a reputation for symbolizing the contemporary sound of Detroit Techno/Berlin. This fall, Feles is releasing his Eat Me Human EP And other labels in 2012 You will hear more Releases of Andres Feles he's currently living in New York City, working on collaborations, remixes, and original material.
Music is well said to be the speech of angels; in fact, nothing among the utterances allowed to man is felt to be so divine. It brings us near to the infinite. To appreciate the nature of Music Technology today one needs to look in all sorts of places. Outside research confines, one finds that the combination of music and electronic technology has evolved into a cultural experience more complex than would have been thought possible. Few people could have articulated the kinds of musical events that now flourish and which depend heavily on certain characteristics of electro-acoustic sound production. Some twenty or so years ago, the vision music technology fostered was relatively simple. Amid a musical scene in flux, technology offered to help the composer make a uniquely contemporary statement about a musical future. One that, for the most part, was still a descendant of western musical thinking, at least, as it had coalesced around the middle of this century.
Sorry If you have send me a Demo and haven't Reply to you But i will go trough all of them and get back to you guys Thank you for Your Time!