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About
Ambrose Freeman-Toole is a composer from Anchorage, Alaska. He writes music in styles ranging from neo-romantic, to rock and ambient. Composing with Finale 2011 and Pro Tools software, Ambrose writes for full orchestra, rock bands and electronics. In addition to composition, he has a background in audio engineering.
Ambrose grew up in a musical household in Pullman, Washington where he began playing bass and guitar at the age of thirteen. Guided by his father, who holds a Doctorate in Music Composition from the University of Illinois, Ambrose soon took up the mantle and began composing as well. At the age of seventeen he had a CD entitled In The Noctis Labyrinth released by OtterSong Records, an ambient rock label based out of Rancho Santa Margarita, California. By 2007, he had self produced five albums ranging in style from progressive hardcore to electronic.
In 2008, Ambrose began to direct focus towards film-scoring and orchestral music. At this time, he began his current ongoing project; a neo-romantic rock opera entitled Frederic’s Voyage. Since 2010 Ambrose has been a member of the songwriting team for Massachusetts orchestral-rock vocalist, Sarah Van Wyk.
In 2011 was the official composer/arranger for the stage production Mexico Extravaganza: Monaraca based in San Jose.
In 2012 Ambrose Freeman-Toole scored a short film by Steve Thao entitled The Celebration, as well as working with director Mark Howard on a soundtrack for the upcoming film S.PE.E.K.
His own current projects include a set of orchestral images, works for halo drum and ensemble, electronic music, chamber music, and remastering his 2007 release Tales for an October Night. In addition to these endeavors, he is currently seeking new opportunities in film, stage, and audio engineering.
For more info visit www.ambroseftmusic.com

Nice beat.
Send this to my group Music for the Neo Romantic.
This is dope.
@WAX 16: Thanks.
@SweetPianoPlayAlongs: Marimba. Thanks
@Southerncomfort: Thanks.
@daze-noize: Thanks. Will do.
Nice work. I like the waltz section the best.
Nice work.
@Stephan Beneking: Thanks, I don't know what "sehr schon" means. But I'll take it as a compliment.
Clever work. Coraline meets Steve Reich.
@ORGANIC: Thank you. I wanted a feminine theme that sounded green.
A little Piston-esque. Nice.
Nice percussion lines here.
Interesting work.
@It Went Like This: Thanks. Sonniccouture.com has some really reasonably priced ethnic and unusual virtual instrument plug-ins. That was also Eastwest aux percussion.
Good work. Sounds like Coraline.
Comment: Nice, skilled work. You could bring it to life with more dynamics. Midi, or overall audio adjustment.
This is truly pointless.
Thanks for the kind words. Nice tracks as well.
Lovely piece. Perfect title.
@Impulse music: Thanks. If you're in the San Jose area go check out the stage production Mexico Extravaganza in November. This is a cue from Mexico Extravaganza.
Nice spot. Good work.
@defaced1: Will do! Check the music video I just posted for this track.
Watch the updated music video here: http://www.youtube.com/watch?v=pjX1N5MGzQU&feature=related
Watch the music video here: http://www.youtube.com/watch?v=0BnnmVkDOtw&feature=related
Watch the music video here: http://www.youtube.com/watch?v=pjX1N5MGzQU&feature=related
Watch the music video here: http://www.youtube.com/watch?v=paqar6kZ6tY
Classy recording.
@defaced1: Thanks. I'm planning to rewrite it for full orchestra.
@Tim_Allen: Thanks, I've trying to get around to writing the full version for about a year.
@Amatullah Sara: Thanks. If you're in the San Bay area in November go check out the stage production Mexico Extravaganza. You'll hear it again.
Nice
Nice
Nice beat.
This is tight peff.
This is the first good original music I have heard in a long time. Way to go!
@Stryker: I agree with both.
This has a sick Bourne Identity feel.
You have captured what many try to capture and end up failing. Nice.