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Aitcher Clark was surrounded by vinyls, casettes and CDs of Queen, Led Zeppelin, Pink Floyd, The Doors but also by classical music made by Johann Sebastian Bach, Antonio Vivaldi, Ludwig Van Beethoven, Bedrich Smetana, Antonin Dvorak and others. In 1996 Aitcher Clark discovers the works of The Prodigy, Mike Oldfield, who raised his interest in electronic music. Later on he becomes inspired by Cj Bolland, Jeff Mills and Detroit techno style. In 1999 he meets the Slovakian and Japanese techno scene with names as Toky, Olga + Jozef, Takaaki Itoh and the first industrial techno produced by Regis. A few years later he discovers James Ruskin, Surgeon, Oscar Mulero, Christian Wünch, Speedy J, Inigo Kennedy etc. The year 2003 became a milestone in his work, because he began regularly spinning the turntables and started polishing his mixes. By using the computer, he creates the first seeds of his own tunes and meets the music of British Murder Boys. Then comes a breaking point, as he discovers the work of Aphex Twin, the label Warp Records and producers such as Chris Clark, Autechre, LFO and Squarepusher. His heart embraces the music in IDM style. Since 2007, when he gets inspired by Anthony Child, Aitcher Clark is playing music by fusing trip hop, electro, minimal, dub techno, minimal techno, techno, industrial techno, industrial, dubstep and IDM styles............. His own work always inclined to film music, in which he got confirmed by Oláfur Arnalds and Nils Frahm from Erased Tapes Records, famous icelandic cellist Hildur Guðnadóttir, who collaborated and performed together with Pan Sonic, Throbbing Gristle and other contemporary classic musicians.