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Hour of The Wolf - Magnus Öström

Air Artist Agency on July 17, 2013 13:29

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    UK & Ireland Tour Dates:

    13.09.2013 - GB, Birmingham - Jazzlines THSH
    14.09.2013 - GB, Islay - Lagavulin Islay Jazz Festival
    15.09.2013 - GB, Islay - Lagavulin Islay Jazz Festival
    16.09.2013 - GB, London - Ronnie Scotts
    17.09.2013 - GB, London - Ronnie Scotts
    18.09.2013 - GB, Liverpool - The Capstone Theatre
    19.09.2013 - GB, Manchester - Band on the Wall
    20.09.2013 - IRE, Navan - The Solstice Arts Centre
    21.09.2013 - IRE, Carrick On Shannon - The Dock Carrick-On-Shannon

    Magnus and his band (Andreas Hourdakis – guitar, Daniel Karlsson – piano, Thobias Gabrielsson – bass) have recorded the new album at Stockholm´s well-known Atlantis studio with engineer Janne Hansson, and Ake Linton has mixed the tracks at Bohus Sound Recordings in Gothenburg.

    Jupiter was the King of all the Gods for the Romans: the Heavenly Father, the bringer of light. It was him you invoked when the goddess of fate had unexpectedly intervened in your life. So it was with the Swedish drummer Magnus Öström, who was dealt a stroke of fate almost five years ago when his close friend, the pianist Esbjörn Svensson, was killed in an accident. They had revolutionised the jazz world since 1993 with e.s.t. - the Esbjörn Svensson Trio.

    It took two years for Öström to find his way back to music after that tragic event, and to bring out his first own album: "Thread Of Life". It is a work of mourning, adorned with melancholy, that seeks its own path, falling back on art-rock and electronic elements and a closer link to sounds than melodies. It was so impressive in doing so, that Öström won the 2012 Echo Jazz Award for Best International Drummer. BBC Radio 3 said of Öströms post-e.s.t. oeuvre on ACT: "What an utterly beautiful and compelling album this is. The playing is immaculate, the compositions truly inspired, the arrangements magical."

    Öström now presents his follow-up "Searching For Jupiter". His loss is still palpable in heavy, yearning tracks like "Mary Jane Doesn't Live Here Anymore" or "Hour Of The Wolf", but Öström has taken some decisive steps forward: He now has a strong and tight band together with guitarist Andreas Hourdakis, bassist Thobias Gabrielson and pianist Daniel Karlsson. They have rigorously pursued a jazz rock and progressive rock leaning - "The Moon (And The Air It Moves)", for example, is reminiscent of Pink Floyd not only in name, and there is more optimism again: Melodies once again play an important role ("Dancing At The Dutchtreat"), even major-key cheerfulness shines through from time to time ("Happy And The Fall"), and the album ends with an anthem of hope with "At The End Of Eternity".

    Magnus Öström is pretty close to making his peace with the bringer of light, Jupiter.


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