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More synths too....nice one
@Cengizhan Aydın: ive always heard it being called "victory song" or "Sonny's theme" but it probably is a classically written masterpiece just redone in a different form by the Koj and staff.
Awesome job....i hear some david bowie tone in the beginning to your voice.
Nice, melodic and powerful
Flush away all that bad feelings :)
This is a great tune
Love that guitar bend there it really makes me think lane staley is about to sing yeahhhhhhhh at :38 and begin a verse at :49 I love it
This is such a great fun funky tune I love it
Excellent job guys
This is awesome dude.
Awesome tone thick and meaty but still great high end clarity
at practice with the band when recording this track. still working out the kinks
@Duke21: no that was the name of the track i was using on AT i renamed it here after reamping the track. the hiss is from the AMP and all the pedals cranked too hard i guess. again not this hissy in app before upload but better than the previous try.
Dude the tone has greatly improved since a few weeks ago these sound much better the bass is extremely in your face heavy
of this clip i like the 2nd one best (blueline?)
i hear the bass its just way quiet
very nice sounding mix here BM what were you using in this recording
Sound like a good intro for a heavy deep guitar chug to come building in and then another guitar to come in and lead that medley before the lyrics begin :)
Cool tune i like the mutron sound I noticed it more
What happened here the waveform gets larger consistently?
Not only was I wanting a reference to try and match my bassman tone in AT but I was also wanting people to hear that real amps that are miced have hiss it's nearly impossible to not have some. When a guitar amp is recorded it is usually treated on a daw with all sorts of high/low pass filters and such to achieve the perfect sound. Most people are too picky when listening to AT on headphones. When playing and recording that take I really didn't hear hiss through the amped speakers. I had it cranked up pretty good. But the mic picks up everything.
With the art USB dual pre.
Yes recoeded in a small space the 1972 bassman TEN with a Sennheiser 421 about two- three inches from the center of the dust cap center of the speaker.
the combo unit has 4 eminence delta 10a's
@Duke21: yes this one is especially bass heavy. I will soon post the same track re-amped with a very different tone entirely. This is very close to my usual. I am going to be working on getting a tighter mid instead of mid bass to bass heavy sound to clean up the FOH send.
All the fuZz is coming from the blender the volume on the bassman is on 2 and the cab is the 4 x12 not the bassman 10's
is that.....bass feedback?
@Duke21: i had the cutoff set at the highest setting. im not sure if it was the blender's sustain or the env.filter but was getting some nice blooming effect. headphones a must or high-fi system small device speakers just doesnt give the definition.
At the performance I used the usual preset of the b15r and matching cab an the u87 mic button this "TONE TEST" I re-amped the dry signal to the red compressor pedal into the fender blender pedal into the envelope filter pedal. The amp is the fender bassman into the 4x12b and the sm57 mic
"Only a God Like You" at practice I don't know the author at the moment.
Fender compressor pedal at lowest setting, and B15R amp
at practice working out the kinks.
this one is "Lay Me Down" by authors Jason Ingram, Jonas Myrin, Matt Redman, and Chris Tomlin
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