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About
Musician, sound engineer, remixer, producer. I build websites too, but that's the day-job.
Currently I play in Blanco, London electro 4-piece, with Jamie Blanco, Bob Earland and Jessica Dennis. I'm dabbling in dubstep remixes at the moment. I've done live and studio sound engineering and would relish doing more. I've also put together sound and programming for art projects, working with visual and conceptual artists Agnese Mosconi and James Webb. If you've got a project I could bring recording, mixing, composing or programming in any of PureData, JQuery, PHP/mySQL or Flash to, let me know.
Really fun :-)
Freakishly good.
Nice!
This is badass and ridiculous! Love it!
madness!
Some nice noises here :-)
A few bits reminded me of some classic records, which made me wonder what gear they'd used ;-)
Really like this wonky melody and the shuffly acid. Nice remix!
Love it!
This is lovely and very very odd. Good work!
Wicked tunes, especially the one mixing out here
Really like this one
Heavy!
This tune's a BEAST. Tough, yet tuneful. Airy and light but with a heavyweight groove. Love it!
Love the b-line and overall vibe of this track.
The wild percussion's lovely too!
Super solid drop, a great match for the build-up before it. Like it!
@dj-apizzle: Thanks dude! Glad you're feelin' it :-)
Lovin' the 303!
A remix of Troupee based around a half-step groove and enlisting the help of Ela Southgate, Rachel Dey and Matt Hall on trumpet, alto and tenor sax.
I took some elements of the original and remixed or remade them into something scruffier than the original. It's not so much a bass-workout as the original mix, but gets quite psychedelic towards the end. The live brass adds a note of ska to the blend. Initially I'd tried to make it _very_ live, and not very electronic, but that kinda fell by the wayside as I worked on it.
@HerbStrike: love that sub/kick combo!
HANDS IN THE AIR!!
Changing the Attack time on the ADSR, from short to much longer, gives different effects and shows up all the cross-modulations you don't hear when the attack's really fast.
Really harsh waveforms, loads of "inner" oscillations, and the ADSR tweaked to only "rise" rather than "fall".
Full on rave siren bad-ness!
A much noiser waveform and a wider sweep range on OSC1 CV in puts some rough artefacts 'round the edges of the sound
Another simple sine-wave sweep pattern.
A simple one... I think both OSC 1 & 2 were set to Sin waves, there's not much range on the CV sweep.
This is lush. I got lost in it...
Totally wasn't expecting that space-age lead line... nice!
Really like this update! The sound design is wicked.
I think the arrangement needs some work - there's some brilliant passages, moods and combinations of sounds, but I don't think they hang together as a "story" too well. With a name like "the hitcher", you're kinda insisting there's a story behind the tune.
The transition between these two parts is awesome.. really gives a sense of "the viewer" moving slowly away from the focal point of the story... like the guy on the bike in the picture riding off ahead of the other bikers he'd been riding with, or of leaving a small weird town behind in a David Lynch film.
Really liking this! Found it on a link from dubstepforum. I'm only playing on my laptop speakers so can't comment on bass badness but I really like the noisy lead/bass sound and the way it works with the drum track. The drops and spot fx etc are all really fun and keep the interest level high. Nice work!
@mostlyfodder: hey man, thanks for commenting :-) glad you like the tune, or at least the bit at 3.05 :-)