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About
100 robots weld human powered rock to robot controlled electro filth. Jim Purbrick and Max Williams' drums and guitar launch huge riffs in to a maelstrom of heavy basslines and electronic samples spewed forth by custom software controlled by a phone taped to Jim's guitar. 100 robots' sound combines the energy of The Prodigy, Pendulum, The Chemical Brothers and The Qemists and the twisted sonic manipulations of Aphex Twin, Squarepusher, Venetian Snares and Nine Inch Nails with songs about anger, loss, frustration, love, the surveillance state, the Iranian election, uranium enrichment, Twitter, gene therapy cures for AIDS, the financial crisis and World of Warcraft.

@MadFaceBeatz: thanks!
@Ewan Page: Yeah!
A hint of dub Morrissey here?
Pitch shifted delay! Whee!
Love the runs here
Nice drums! Did you play them live? Where do the sounds come from?
@Adrenalin Grin: Nice!
Great vocal performance and surprisingly profound lyrics!
Nice! Lovely bonkers rave tearout
Love the slightly deranged cartwheeling organ here
Nice change!
Nice!
Lovely!
fink is a new artist?
+1 boards of canada are amazing
Nice!
lovely!
like
@yummycakelover: +1
hooray!
TUNE!
gary: "It's Amazing!"
gary: "Finish the game!"
This track is great! I'd like it to build up to a finale rather than dying down though. Guitar sounds really good. The trumpet is a bit cheesy, it's so obviously sampled I'd rough it up a lot to give it some edge. Good work!
Really tight production here, super crisp and bouncy.
Interesting kit here! I like the lasers and triangles and rim shot snare
Huge bass and kick sound, nice!
Snare sounds a bit loud and disconnected here
I like the dark, brooding feel here, the bass sounds great, very snarly and threatening.
Not super keen on the bass sound here, sounds a bit rumbly and indistinct
Like the filter sweep before the drop, nice drums too